Curlew
Usually in a story you start with the start, or a prologue of some kind, but, as I started to write this part that way, it struck me as not quite right to do it like that. |
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Then
Curlew changed a lot over the years, sort of. But the basic concept came
from Ornette:to be melodic, danceable, strong , clear and (more my idea)
messy has remainded. And I mean 'danceable' in a , uh, creative kind of
way with toe-tapping as an intergral part of that too. The ideas and inspiration
came from everywhere. Not just Ornette ( I remember when I first moved
to NCY in 1979 being in the Soho Book Store on Spring St , with my ALTO,
and in walks who but Ornette. I went and waited (hid) in the 'westerns
section until he left. Later I got a call from Bill Laswell to come and
rehearse with Ornette, and to bring my ALTO. So I did. We ended up playing
songs by Roberta Baum with arrangements by Ornette. Quite a thrill for
me. But wait a minute, I was talking about Curlew. Anyway , I like that
Curlew band, and I like the members in it now. Bruce
Golden (my oldest longest being musical pal), drums and such and electrionics; Davey
Williams (even tho he missed the last cd, he'll be back) guitar. Dean
Granros , guitar; Chris
Parker( Memphis via Little Rock sock'em pal), piano and keyboards; Fred Chalenor (Seattle/Portland spirit and old NYC via Chris Cochrane buddy), bass; and ME lucky ME on saxophones. |
![]() Fred Chalenor with BIG coffees |